Leah Purcell is a proud Goa-Gunggari-Wakka Wakka woman born and bred in Murgon, Queensland. Leah is a multi-award-winning director, actor, writer, producer and showrunner. She has written and directed landmark film, TV and theatrical works such as; Box the Pony, Redfern Now, Cleverman, The Secret Daughter, My Life is Murder, The Twelve and The Drover’s Wife.


She is an AACTA, Helpmann, The Deadly’s, Australian Directors Guild, AWGIE, IF, AFI, Matilda and Logie award winning and nominated artist for her outstanding work on iconic feature film, TV and theatre such as Lantana, Jindabyne and The Proposition; Police Rescue, Janet King and Wentworth; Box the Pony, The Story of the Miracles at Cookie’s Table and The Drover’s Wife.


Her writing has been recognised with NSW Premier’s Literary Awards, a Queensland Premier’s Literary Award, and the Victorian Prize for Literature. In 2017, she received the Sydney UNESCO City of Film Award and in 2021 was made a member of the Order of Australia for significant service to the Performing Arts, to First Nations Youth and Culture, and to Women.


Most recently, she was the 2021 Winner Asia Pacific Screen Awards Jury Grand Prize for her multifaceted role in her directorial debut, writer, producer and lead actor of the feature film, The Drover’s Wife The Legend of Molly Johnson.


Currently she is starring opposite Sigourney Weaver in Amazon Originals, The Lost Flowers of Alice Hart produced by Bruna Papandrea and Made Up Stories and in-development on the premium limited series based on The Drover’s Wife The Legend of Molly Johnson novel and film.


Recommendations throughout this episode:


https://oombarra.com/

https://taxifilm.tv/


Website: http://www.blackmagicwoman.com.au

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The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.


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